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I created a soundscape made of buzz of people, low frequencies of the train (a sound soiled by electrical interference). I recorded the sound at 96kHz and 32 Bit Recorder: Zoom f3 Microphone: Sennheiser mkh416
A SHORT VIDEO OF FIELD RECORDING (TRAIN AND TRAFFIC) IN A CITY AREA WHERE THE SOUNDS OF THE TRAIN MIX WITH THE SOUNDS OF TRAFFIC. RECORDINGS WERE MADE WITH THE RODE NTG4 PLUS AND THE DODOTRONIC PARABOLIC MICROPHONES, BOTH CONNECTED TO THE TASCAM DR44WL, AT DIFFERENT TIMES.
GOUTA Domenica 13 marzo 2022 Durante una nevicata sulle Alpi Liguri (Gouta), ho effettuato una registrazione ambientale con la parabola Dodotronic. La neve non molto fredda quindi pesante e rumorosa era la tonica dominante di questo luogo, fortunatamente poco frequentato quel giorno. La presenza dell'uomo appunto quasi assente. Questo mi ha permesso di registrare per lunghi periodi. Per proteggere l'attrezzatura, mi sono posizionato sotto un albero fitto e sotto il tetto del bagagliaio dell'auto. Sunday 13 March 2022.(FIELD RECORDING NATURE). During a snowfall in the Ligurian Alps (Gouta), I made an environmental recording with the Dodotronic Parabolic microphone. The snow that was not very cold and therefore heavy and noisy was the dominant tonic of this place, fortunately not very populated that day. The presence of man almost non-existent. This allowed me to recording the sound for long periods. To protect the equipment, I positioned myself under a tree and under the roof of the trunk of the car.
Breve giretto mattutino all' Oasi del Nervia con Parabola Dodotronic per udire e ammirare.. Trovandosi in prossimità' della strada, della ferrovia,(anche la tramontana non aiuta) e' difficile avere una registrazione pulita. In ogni caso il paesaggio sonoro e' unico!
After a good friend of mine lent me this pair of fantastic microphones (audio-technica at3032), I decided to create a video of field recording in the traffic of the city near my house. The recorder I used is the Tascam dr44wl. I limited myself to putting a windscreen in front of the microphones because the wind was almost absent. In post production I didn't equalize the sound. I left it flat to really hear the original sound of these omnidirectional microphones. I placed them parallel at a distance of 60 centimeters.